Hiroshima and Hope for the Future
20 Aug 2010 Leave a Comment
in Gene Tagaban, Peace, Protests, Seattle Tags: Dreamfly Projects, El Centro de la Raza, Green Lake, Hiroshima, Hiroshima to Hope, Seattle Kokon Taiko
August 6th was our annual From Hiroshima to Hope commemoration, and the 65th anniversary of the bombing of Hiroshima. It’s held on the lawn at Green Lake, just past the Bathhouse Theater, going counterclockwise around the lake path from the community center.
Native American storyteller & flutist Gene Tagaban told us the story of Raven bringing light to the world, followed by an appearance by Raven (with the accompaniment of a taiko drummer).
The Seattle Kokon Taiko group was next.
They were really impressive! Here’s a clip by lesvictor on YouTube of “Rites of Thundering”, which they performed at the commemoration as well:
There was also an interpretive dance piece of a Hiroshima widow and White Lightning. Video by subversivepeacemaker:
Mona Akmal, a young woman who created Dreamfly Projects, starting schools in Pakistan and Afghanistan, spoke of how much the children inspired her.
We also had poetry from students in El Centro de la Raza‘s Hope for Youth Program.
Gene Tagaban played some flute music as preparations were made.
Then there was a Buddhist blessing (there was a Christian one earlier in the evening).
Lanterns were lit and a procession to the lake, starting with the monks and Hiroshima survivors.
Then the lanterns are floated on Green Lake, which is always beautiful.
According to the program the lantern floating ceremony “is an adaption of an ancient Japanese Buddhist ritual, the Toro Nagashi, in which lanterns representing the souls of the dead are floated out to sea and prayers offered that the souls may rest in peace.”
I hope one day soon the world bans all nuclear weapons.
Northwest Folklife Highlights
14 Jul 2010 Leave a Comment
in Gene Tagaban, Music, Northwest Folklife, Seattle, Swil Kanim Tags: Fiddlehead, Howlin Houndog and the Infamous Loosers, Morris Men, Northwest Junior Pipe Band, Percy Hilo, Swamp Soul, The Fabulous Hammers, The Wanderers
I know. . . I’m finally getting around to blogging about Memorial Day weekend’s Northwest Folklife now that it’s after the 4th of July. Now that we’ve finally even got summer weather. . .
My Folklife started bright and early that Saturday to catch Percy Hilo, from my Amnesty International group, and his friends. OK. It wasn’t that bright out. It was cold and drizzling. It was early. .. at least for me on a Saturday (11 am). In spite of the hour and weather, it was a spirited folk session and we packed the small stage where they were playing, and even had Northwest folk legend Jim Page in the audience. They even got us to sing along.
After Percy’s set I wandered around and caught what seemed to be some traditional European folk dancing at the Mural Amphitheater, which included a contest that to me looked like two old men dancing and leaping around, trying to impress a younger woman who was, I seem to recall, the May Queen.
According to my program, they were the Vancouver Morris Men, who perform traditional English dancing, theater and music, down from Vancouver, B.C. Dances and plays vary with the seasons of the year:
These are the seasons when the Vancouver Morris Men perform COTSWOLD MORRIS. The dancers wear white clothes with bright sashes and jingling bells. They flick white hankies (probably to accentuate the hand movements) and vigorously clash sticks (possibly symbolizing ancient combat). The Cotswold dances are graceful, but virile. Music is to the pipe-and- tabor, melodeon or fiddle. The dancers are often accompanied by a bizarre “Beast”, and sometimes even a “Fool” dressed in an old farmers smock and carrying an inflated sheeps bladder.
OK! Seriously – awesome! Obviously, our European ancestors had their, to us, bizarre, traditions that we’ve totally lost touch with.
I also caught some more recent traditional folk music from the 60s with The Wanderers, some blues from Howlin Houndog and the Infamous Loosers, bagpiping with the Northwest Junior Pipe Band, and the traditional Irish group, Fiddlehead, on that Saturday.
I came back Sunday to catch some more music.
People were getting folk dance lessons at the Center House, meanwhile, the Africa show was going on at the Mural Amphitheatre.
I caught some traditional rock and roll later in the afternoon, with The Fabulous Hammers, from Ballard.
Here’s a little video from that day by tomking21 on YouTube – Wasabi!
Then it was time to go back to New Orleans for some zydeco, with Swamp Soul.
OK, I think they’re from Ballard, too, but they had everyone dancing like they were in New Orleans!
Here’s a video by wabarbee of them playing the Louisianathon a few years back:
After that, and a quick rest break, I went off to try to get in to see Native American musicians & storytellers, Gene Tagaban and Swil Kanim, in one of the smaller inside venues, the Folklife Cafe. I didn’t hold out much hope, having seen the lines earlier, and figured I’d end up back outside listening to a second zydeco band. I got there just the right time, though, as the earlier act’s crowd was leaving.
It didn’t surprise me that Gene Tagaban and Swil Kanim played one extended show together, instead of separately as listed on the program.
Here they are together from a show at the Seattle Art Museum last year by TheViolindian:
Gene Tagaban also played The Raven once again:
It was nearly 10 pm when the show was over, and Seattle Center was shutting down for the night. There was one more show going on, though. Still dancing the night away, at the Mural Amphitheatre, were the Brazilians!
It’s always the Brazilians partying and having a good time! I live near both a Brazilian restaurant and store/cafe; and there is frequent music and dancing. I still remember the World Cup, it must be the one 4 years ago, when the Brazilians woke me up when they won and they were literally dancing in the street outside my apartment!
Lots of music and fun at Folklife - and I only made part of a couple of days, having other things to catch up on Memorial Day weekend.
Remembering Hiroshima and Nagasaki
09 Aug 2009 1 Comment
in Gene Tagaban, Peace, Seattle, Swil Kanim Tags: Frida Berrigan, Gar Alperovitz, Green Lake, Hiroshima, Hiroshima to Hope, Nagasaki, One America, Pramila Jayapal
On Thursday night I went to the annual Hiroshima to Hope memorial at Green Lake in Seattle. It was August 6, the 64th anniversary of the atomic bombing of Hiroshima. Today, August 9, is the anniversary of Nagasaki’s bombing.
I made it around the circle of Green Lake from community center to the gathering just past the the Bathhouse Theater as the sun was sinking low. The path around Green Lake on a summer night is full of people – walking, running, bicycling, skating, some with baby strollers and/or dogs. I can hear the Japanese taiko drumming from around the lake (though, as usual, I arrive too late to see them).

When I get there, I find the lanterns, then go to the calligraphy table to get a shade. I choose “Peace” this year. (Photo from later in the evening.)

I got there in time to hear this year’s key note speaker, Pramila Jayapal, the Executive Director of One America (formerly Hate Free Zone). Hate Free Zone was formed shortly after the September 11 attacks, following the first incidents in Seattle of Muslim mosques being threatened and Sikhs attacked because they wore turbans.

Native American musicians and storytellers Gene Tagaban and Swil Kanim told us of raven and eagle working together to bring fire to all the people on earth and a very personal story of finding peace and redemption, accompanied by beautiful music.

Then we had a blessing by a Buddhist monk, honoring all the souls of the dead from all wars and our ancestors, who had been invited back to earth for the night and we were to send floating back on the water with our lanterns.

Then everyone heads to the lake, where children help place the lanterns out on the water for us.

Here is some video I shot of the lantern floating a couple years ago.
It was very beautiful, and this year I felt hope. Hope, while it is discouraging to see the recent poll that 61% of Americans think bombing Hiroshima and Nagasaki was the right decision. As Pramila pointed out, those numbers are far smaller, and even run against the bombing with: younger people, women and especially non-whites.
I don’t think there has been enough discussion about the decision to drop the bombs nor the reality of what happened to the mostly civilian victims of the bombing. Too many people want to see things as black and white, bringing up the terrible things the Japanese did such as Pearl Harbor and the Rape of Nanking. War crimes which were wrong too, and their victims are still seeking justice.
None of that justifies the unimaginable death toll, which Frida Berrigan notes in her article For the Sixty-Fourth Time: No More Nuclear War:
In Hiroshima, Little Boy’s huge fireball and explosion killed 70,000 to 80,000 people instantly. Another 70,000 were seriously injured. As Joseph Siracusa, author of Nuclear Weapons: A Very Short Introduction, writes: “In one terrible moment, 60% of Hiroshima… was destroyed. The blast temperature was estimated to reach over a million degrees Celsius, which ignited the surrounding air, forming a fireball some 840 feet in diameter.”
Three days later, Fat Man exploded 1,840 feet above Nagasaki, with the force of 22,000 tons of TNT. According to “Hiroshima and Nagasaki Remembered,” a web resource on the bombings developed for young people and educators, 286,000 people lived in Nagasaki before the bomb was dropped; 74,000 of them were killed instantly and another 75,000 were seriously injured.
Then the tens of thousands more who died of radiation sickness in the aftermath.
It’s always presented as a military necessity, sometimes with claims that a million were saved by ending the war sooner. Yet when I read Gar Alperovitz’s book, The Decision to Use the Atomic Bomb, I was surprised to learn my father was not alone as a WWII veteran opposed to the bombing of Hiroshima and Nagasaki. (My father was also a survivor of the Japanese bombing of Pearl Harbor and Hickam Airfield, where he was stationed.) I read names like Generals Eisenhower and Douglas MacArthur, and Admirals Leahy and Nimitz, who felt the bombings were unnecessary because Japan was about to surrender and the devastating loss of lives of civilians.
I don’t feel like we’ve ever had an honest discussion about this, as American citizens. Yet, I don’t know how much of that was due to the cold war and how much the inability of most Americans (or citizens of any other country for that matter), to consider their country may have done something wrong.
More importantly, can we stop far nuclear weapons from being used in the future? As Frida Berrigan notes:
The nine nuclear powers — the United States, Russia, France, England, China, Israel, Pakistan, India, and North Korea — have more than 27,000 operational nuclear weapons among them, enough to destroy several Earth-sized planets. And in May, Mohamed ElBaradei, the Director General of the International Atomic Energy Agency, warned that the number of nuclear powers could double in a few years unless new disarmament is a priority.
The U.S. still maintains a nuclear arsenal and is spending $6 billion on their research and development. Yes, this is still happening during the Obama administration.
Keep in mind as well that the bombs which annihilated two Japanese cities and ended so many lives 64 years ago this week were puny when compared to today’s typical nuclear weapon. Little Boy was a 15 kiloton warhead. Most of the warheads in the U.S. arsenal today are 100 or 300 kilotons — capable of taking out not a Japanese city of 1945 but a modern megalopolis. Bruce Blair, president of the World Security Institute and a former launch-control officer in charge of Minutemen Intercontinental Ballistic Missiles armed with 170, 300, and 335 kiloton warheads, pointed out a few years ago that, within 12 minutes, the United States and Russia could launch the equivalent of 100,000 Hiroshimas.
I know some people are going to say why bring up Hiroshima and Nagasaki 64 years later, but we really need to say: Never again (and remember, these were 15 & 20 kiloton bombs, not the 100 – 300 kiloton modern bombs).
Fiddling Around and Rocking the Rez
31 May 2009 Leave a Comment
in Gene Tagaban, Music, Northwest Folklife, Seattle, Star Nayea, Swil Kanim Tags: Cal Scott, Celtic music, Chaske, folk rock, Irish music, Kevin Burke, Little Big Band, Native American, Peter Ali, Solana Booth, Sue Quigley, Unangax Aleut Dancers
OK, so I did get out a little to Folklife last weekend. It was the fiddling that brought me, but I ended up rocking out again!

Last Saturday I went to hear Irish fiddler Kevin Burke, whose music I’ve enjoyed over the years, going back to the Bothy Band, through recording with Michael O’Domnaill, Patrick Street, the Celtic Fiddle Festival and solo. He was playing with Cal Scott at Folklife, and this was the first time I’ve seen him live. He did not disappoint!

I liked the one at the end about going to London for work and finding so many Irish there that it was being back home again (and the same was true here in America)!
Here are Kevin Burke and Cal Scott back in Ireland, at Dolan’s in Limerick City:
Afterwards, I got up from my spot under the Space Needle to wander around some more and see all the other stages.

Only to end up back at that stage when I heard some folk rock I wanted to hear more of.

Sue Quigley played a set of intensely personal songs about relationships and life. Here she is with Perfect Chaos (and her band) at the Tractor Tavern. Check out more of her music on her MySpace page(http://www.myspace.com/suequigleyband):
OK, when I say I got out a little, as usual I mean very little! I came back Sunday to hear the evening show, Tahqua Alaska Native Performing Arts Performing Group, at the Bagley Wright Theater. I wanted to hear more fiddle music, this time from Swil Kanim, who played his violin in Sherman Alexie’s The Business of Fancy Dancing.
There was a lot more – from traditional Native dancing to rock and roll. After starting the evening with taps on flute and fiddle in honor of the fallen for Memorial Day, the first act up were the Unangax Aleut Dancers.

One of their dances was of the grizzly bear, teaching the young to fish, and of the mama bear protecting the young from the older male bears. They also did an uncanny interpretation of seagulls (especially as the real ones were soaring overhead at Folklife all weekend).
Solana Booth and Chaske continued the journey, including hoop dancing.

Peter Ali played flute next.

Swil Kanim and Gene Tagaban (MC, flute and storyteller) showed excellent comic timing in addition to playing beautifully. Maybe it’s time for a Native American Smothers Brothers!
Here Swil is giving Gene a bad time on the size of his flute.

Here’s a video of them together at the Seattle Art Museum, with Swil Kanim telling one of the stories he told at Folklife.
Gene Tagaban transformed himself into a Raven (aka One Crazy Raven) for some of the stories.

Toward the end of the evening, the music evolved and a rock band broke out. Little Big Band, whose members included Gene Tagaban and Swill Kanim (at least for the evening), and the beautiful (and beautiful voiced) Star Nayea, winner of two Nammys (Native American Music Awards) in 2001 for Somewhere in a Dream (Independent Recording), and in 2008 for Silenced My Tongue (songwriter).

Here’s a video collage with Silenced My Tongue (about Star and many others being adopted out from their tribe):
Elements of the traditional kept showing up in the Little Big Band set, including the re-emergence of the Raven:

Unfortunately, the Little Big Band doesn’t seem to have a cd out or music on their website. They really rocked together!
On the way out I took a wrong turn and an unintentional tour back stage at the Bagley Wright. Oops! I guess in live theater settings you can’t just take any exit. . .


























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